- US Princess (Replica of Fender® Princeton Reverb)
- Das Benzin Mega (Replica of Mega channel of the Diezel VH4)
- Das Benzin Lead (Replica of Lead channel of the Diezel VH4)
Line 6 helix 3.0 update
- 1×10 US Princess (Replica of Fender® Princeton Reverb cab)
- 1×12 US Princess (Replica of Fender® Princeton Reverb with a 12″ Alnico Blue driver)
- Distortion > Horizon Drive (Mono, Stereo), Replica of Horizon Devices Precision Drive. Includes an extra Gate Range parameter that, when set to “Extended,” drops the gate’s threshold down to -90dB
- Distortion > Swedish Chainsaw (Mono, Stereo), Replica of BOSS® HM-2 Heavy Metal Distortion (Made in Japan black label)
- Distortion > Pocket Fuzz (Mono, Stereo), Replica of Jordan Boss Tone fuzz
- Distortion > Bighorn Fuzz (Mono, Stereo), Replica of 1973 Electro-Harmonix® Ram’s Head Big Muff Pi
- Distortion > Ballistic Fuzz (Mono, Stereo), Replica of Euthymia ICBM fuzz
- Dynamics > Horizon Gate (Mono, Stereo), Replica of Horizon Devices Precision Drive’s gate circuit. Includes an extra Gate Range parameter that, when set to “Extended,” drops the gate’s threshold down to -90dB. Works best before an amp
- EQ > Acoustic Sim (Mono, Stereo), Replica of BOSS® AC-2 Acoustic Simulator. Can be used alone or in conjunction with an acoustic IR
- Modulation > Poly Detune (Mono), Line 6 Original
- Delay > Poly Sustain (Mono), Line 6 Original
- Delay > Glitch Delay (Mono, Stereo), Line 6 Original performance delay that lets you freely manipulate the repeats’ behavior in real time
- Pitch/Synth > Poly Pitch (Mono), Line 6 Original
- Pitch/Synth > Poly Wham (Mono), Line 6 Original. Works equally well on guitar and bass, although you might want to tweak the Auto EQ parameter for your particular instrument. See Poly Pitch notes above for additional information
- Pitch/Synth > Poly Capo (Mono), Line 6 Original. Simpler version of Poly Pitch when you just want to change keys. Works equally well on guitar and bass, although you might want to tweak the Auto EQ parameter for your particular instrument. See Poly Pitch notes above for additional information
- Pitch/Synth > 12 String (Mono), Line 6 Original 12-string guitar emulation
- Volume/Pan > Stereo Imager (Stereo), Line 6 Original
- Looper > Shuffling Looper (Mono, Stereo), Line 6 Original. Part looper, part sampler, part inspiration generator, part performance instrument, the Shuffling Looper intelligently chops up your playing and gives you realtime control over reordering, octave shifting, reversing, and repeating. It’s all immense fun (even on vocals, drums, and percussion), but you’ll want to familiarize yourself with its controls. IMPORTANT: The Shuffling Looper does not currently respond to Command Center > HX Commands or per-function MIDI commands
- Add Looper > Shuffling Looper to a preset and assign it to a footswitch.
- Turn Knob 1 (Slices) to set the number of slices your loop will be chopped into. 8 slices is the default.
- Press the switch to begin recording. The LED lights red, indicating the loop is recording.
- At the end of your loop, press the switch. The LED lights green and the sliced loop sequence immediately plays.
- During playback, adjust the following knobs (or assign them to controllers, like expression pedals or snapshots):
- Slices—Changes the number of slices your loop will be chopped into
- SeqLength—Determines the number of slices in the sequence. This can be changed even after recording a loop
- Shuffle—Determines the likelihood of slices shuffling/reordering. At 0%, the slices never shuffle; at 100%, they’re constantly reshuffling
- Octave—Determines the likelihood of slices playing back an octave higher or lower
- Reverse—Determines the likelihood of slices playing backwards
- Repeat—Determines the likelihood of slices repeating
- Smoothing—Higher values apply smoothing between slices and can give a synth-pad type quality, lower values maintain transients. Or set it just high enough to avoid pops and clicks
- Seq Drift—Determines the likelihood of the entire slice sequence changing every time it loops around. When set to 0.0, the same sequence repeats forever; when set to 10.0, the sequence changes completely every time it loops TIP: Assign this parameter to a footswitch set to toggle between a higher number and 0%. If you hear a random sequence you want to maintain, press the switch to set Seq Drift to 0%, and it’ll repeat that way indefinitely
- Playback—Sets the looper’s playback level
- Low Cut—Applies a low cut (or high pass) filter to the loop, letting you remove looper signal below a certain frequency
- High Cut—Applies a high cut (or low pass) filter to the loop, letting you remove looper signal above a certain frequency
- Want to change it up? While the loop is playing, press the switch to randomize its slice sequence.
- Quickly double-press the switch. Playback/recording stops and the LED lights white, indicating a loop is in memory. Press again to restart.
- While the loop is playing or stopped, press and hold the switch. The recording is deleted and the LED lights dim white.
*NOTE: All product names used in this document are trademarks of their respective owners and neither Yamaha Guitar Group nor Line 6 are associated or affiliated with them. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development.
True Preset Spillover
Helix Floor, Helix Rack/Control, Helix LT
Despite what some might have you believe, the only digital multieffects units with true preset spillover were the DigiTech GSP1101, 2112, and 2120, and they accomplished this by dedicating one of their two DSPs to spillover and only spillover. (Basically, to hear two dynamically allocated presets with absolutely zero gap—not a global reverb smeared to cover the gap—you need enough DSP to run both of them simultaneously.) So… if you’re willing to sacrifice half your DSP—that is, COMPLETELY DISABLE PATH 2—you too can have true preset spillover. IMPORTANT! Unfortunately, Looper recording or playback will not currently spill over from one preset to another. Also, note that there may be a slight hiccup when switching between two presets with different impedance values for the Guitar Input.
- In the Global Settings > Preferences menu, set Preset Spillover to “On.” (SHORTCUT: Hold ACTION and press HOME.) A dialog appears, reading “Remove Path 2 to enable preset spillover?”
- Press Knob 6 (OK).
- Press HOME. Path 2 has disappeared! You may now switch presets to your heart’s delight with true spillover but note that if Preset A is still spilling over into Preset B (say one of its delay blocks’ feedback is making it self-oscillate), switching to Preset C will abruptly cut off Preset A.
- To return to normal operation with two paths, turn Preset Spillover back to “Off”. (SHORTCUT: Hold ACTION and press HOME again.) A dialog appears, reading “The preset must be reloaded. All unsaved changes will be lost!” So if you’ve made changes to the preset, be sure to save it before turning Spillover off.
- Press Knob 6 (OK).
But but but… I don’t wanna lose Path 2 just for spillover!
Then keep using snapshots.
Helix Floor, Helix Rack/Control, Helix LT, Helix Native, HX Effects, HX Stomp
If you’ve dialed in an amp or effects block exactly the way you like it, you can now save its settings as a favorite so it can be added very quickly, complete with bypass state and footswitch assignment. Favorites appear in a new “Favorites” category and can be renamed, reordered, and cleared. TIP: If you don’t want a favorite to be recalled with its footswitch assignment, add the block before you assign a switch.
- Choose one of your favorite amps or effects and tweak it exactly how you like it, with or without footswitch assignment.
- Press ACTION and then press Add to Favorites. The Favorites list appears.
- If you wish to replace an existing favorite (you get 128 total), select it and press Replace Favorite. If you wish to add a new favorite, select the location where you want to place it and press Add New Favorite.
- OPTIONAL: While the Favorites list is open, press ACTION.
- To reorder the selected favorite up or down the list, turn Reorder Favorite (on HX Effects, press Reorder Up or Reorder Down)
- To rename the selected favorite, press Rename Favorite
- To clear the selected favorite, press Clear Favorite
- To clear all favorites, press Clear All Favorites. A dialog appears. Press OK to confirm.
All right, so what?
- At any time, select an empty block and turn the joystick (Big Knob on HX Effects or Lower Knob on HX Stomp). All your perfectly-tweaked favorite amps and effects instantly appear, without having to open the model list at all. If you typically keep model categories on the same stomp footswitches, you could conceivably create a brand new preset with all of your favorite stuff—including all footswitch assignments—in less than 10 seconds. Creating tones has never been faster or easier. TIP: If you keep one or more external pedals connected to Helix’s FX Loops, add the FX Loop blocks as favorites and then rename them after the real thing.
User Model Defaults
Helix Floor, Helix Rack/Control, Helix LT, Helix Native, HX Effects, HX Stomp
3.0 lets you save any amp, cab, or effect block’s settings as default so every time you call that model up, it sounds exactly the way you want it. Or, if you want to revert it to factory default, you can do that too. NOTE: Unlike Favorites, user model defaults do not store any footswitch assignments.
- Choose any model and tweak it exactly how you like it.
- Press ACTION and then User Default. From Helix Native or HX Edit, right-click (Mac: control-click) the block icon and select “User Default”
Global Settings > Preferences > Auto Impedance
Helix Floor, Helix Rack/Control, Helix LT, HX Stomp
A new Global Settings > Preference parameter determines how the Guitar In’s impedance circuit behaves when Input > In-Z is set to “Auto.” When set to “First Block” (the default), the impedance circuit reflects the impedance of the first block on Path 1A, regardless of whether it’s enabled or bypassed. When set to “First Enabled”, the impedance circuit reflects the impedance of the first enabled block on Path 1A. Called “Auto Impedance” because “Sorry-this-took-so-long-we-love-you-Tito83” wouldn’t fit.
Min/Max Value Indicators
Helix Floor, Helix Rack/Control, Helix LT, HX Stomp [Feature already in HX Effects]
Parameters assigned to controllers or snapshots now display small Min Value (below) and Max Value (above) indicators. You can now see the range of continuous controllers from the Home screen.
8 Blocks in HX Stomp
HX Stomp’s simultaneous block count has been increased from six to eight.
IMPORTANT! Although HX Stomp now has two additional block locations, this doesn’t mean it magically has more DSP horsepower to accommodate those blocks. Don’t be surprised if you’re not able to fill all eight blocks with exactly what you want, especially considering the new polyphonic pitch models take up a lot more DSP. We’ve taken note of those who’ve bemoaned HX Stomp’s 6 block limit, and if the same person now complains about running out of DSP with 8 blocks, we’re sending hooligans to their home to administer an atomic wedgie.
NOTE: It shouldn’t come as any surprise, but any presets you make in 3.0 will not be compatible with 2.92 or earlier firmware.
Command Center in HX Stomp
HX Stomp [Feature already in Helix Floor, Helix Rack/Control, Helix LT, and HX Effects]
Why would people expect a stompbox with only three footswitches to also act as a master MIDI controller? Yeah, we don’t know either, but enough of you asked for it and it wasn’t exceedingly difficult to add.
- Press together to open the Menu and then press Knob 3 (Command Center).
- Turn the Upper Knob to select the command source (Instant 1-6, Footswitch 1-5, or EXP 1-2).
- Turn Knob 1 (Command) to select the type of command you wish to transmit. For information on the types of commands HX Stomp transmits, see the HX Stomp 3.0 Owner’s Manual.
Wait, does this mean I can use HX Stomp as both an audio interface AND a remote control for YouTube lesson videos by sending QWERTY hotkeys?
Tuner in Helix Native
Helix Native [Feature already in Helix and HX hardware]
Helix Native now has the same needle and strobe tuner from Helix.
- Click the tuner icon.
- Choose the tuner type by selecting Coarse, Fine, or Strobe.
Gain Reduction Meters in Helix Native
Helix Native [Feature already in Helix hardware]
The following block types display a gain reduction meter in the inspector when selected:
- Dynamics > Compressor
- Dynamics > Gate
IMPORTANT! Because we never want to overwrite your own presets, upgrading to 3.0 does NOT automatically make these presets visible; you will need to manually restore them. Restoring factory setlists and presets will completely overwrite your own, so make sure they’re backed up first!
TIP: With Helix Floor/Rack/LT/Native, if you want to keep both your presets and the latest factory presets, back up your custom presets as setlists and after the procedure below, drag your setlists onto unused setlist locations.
- Make sure you’ve backed up your presets and turn off Helix/HX.
- Perform the following procedure:
- Helix Floor/LT: While holding footswitches 7 and 8 (two leftmost switches on the bottom row), turn on Helix Floor/LT. Wait for “Will restore…” to appear and let go
- Helix Rack/Control: While holding knobs 3 and 4 (two middle knobs below the screen), turn on Helix Rack. Wait for “Will restore…” to appear and let go
- Helix Native: Click the gear icon in the lower left corner, click the Presets/IRs tab, and click “Restore Factory Setlists”
Helix 3.0 includes factory presets created by the following artists:
Helix Floor, Helix Rack/Control, Helix LT, Helix Native [FACTORY 1 setlist]
- 13B-14C—Fish (Christina Aguilera)
- 14D—Jeff Waters (Annihilator)
- 15A, 15B—Richie Castellano (Blue Öyster Cult)
- 15C—Robbie Calvo
- 15D—Ryan “Fluff” Bruce (Dragged Under)
- 16A-16D—Felix Martin
- 17A—Mario Quintaro (Spotlights)
- 17B, 17C—Bumblefoot (Sons of Apollo)
- 17D, 18A—Billy Sheehan (Sons of Apollo, Winery Dogs)
- 18B—Andy Abad (Jennifer Lopez)
- 18C-19B—Misha Mansoor (Periphery)
- 19C—Duke Erikson (Garbage)
- 19D—Steve Marker (Garbage)
- 20A—Eric Avery (Garbage)
- 20B—Bill Kelliher (Mastodon)
- 20C—John Browne (Monuments)
- 20D—Olly Steele (Monuments)
- 21A—Jon Button (The Who)
- 21B—Trev Lukather (Levara)
- 21C—Steve Howe (Yes)
- 21D—Dustin Kensrue (Thrice)
- 22A—Pete Thorn
- 22B—Rhett Shull
- 22C—Jade Puget (A.F.I.)
- 22D, 23A—Jeff Schroeder (The Smashing Pumpkins)
- 23B—Graham Coxon (Blur)
- 23C, 23D—Chris Buck
- 24A—Lewis Allen (Sam Smith)
- 24B-25A—Rabea Massaad
- 25B—Soren Andersen
- 25C—Devin Townsend
- 25D—Nathan Navarro
- Vernon Reid
- 27B—Philip Bynoe
- 27C, 27D—Markus Reuter
- 12A-12D—Julien Baker
- 13A—Sarah “Noveller” Lipstate
- 13B, 13C—Steve Stevens
Other Changes and Improvements
- On HX Stomp, Global Settings > Footswitches > Stomp Select now has an “Off” value. When set this way, neither touching nor pressing will change which block is in focus [value is already in Helix Floor, Rack, and LT]
- Favorites can now be restored from a backup, independently of setlists, presets, IRs, and Global Settings
- User Model Defaults can now be restored from a backup, independently of setlists, presets, IRs, and Global Settings
- Gain reduction meters now also appear for the Input block’s noise gate
- Gain reduction meters and signal present indicators are now more responsive
- Parameter knob ballistics have been improved
- New splash screens for Helix Floor/Rack/LT and HX Stomp
- Parameter slider handles are thinner to accommodate new min/max value indicators
- Press-turning a knob to assign Snapshot control now requires a bit more turning to minimize accidental assignments
- Pitch/Synth > 4 OSC Generator OscFreq parameters now display single Hz resolution between 100 and 1000 Hz
Helix 3.0 Bug Fixes
- When synced to external MIDI clock or retriggering via TAP, certain models with tremolo circuits’ LFO set to square wave would invert the waveform–FIXED
- If Helix had been left powered on for 24 hours with the same preset active (What? Why?), its reverb blocks could become disabled until selecting another preset—FIXED
- Many other minor fixes and improvements
Helix 3.0 update Known Issues
- Distortion > Vermin Dist’s resonant filter was mapped incorrectly, and is especially apparent at higher gain settings. This will be fixed in 3.10
- In the Poly Pitch models, very fast playing may exhibit some minor onset smearing. Additional improvements to the poly pitch engine are forthcoming
- The Shuffling Looper does not currently respond to Command Center > HX Commands or per-function MIDI commands
- Variax Model min and max sliders do not automatically update when a Variax is connected
- When Tuner View is active while Spillover is engaged, changing presets can sometimes cause audio output to stop
- After importing a .WAV file into the current ‘Empty’ slot of an Impulse Response block, all audio output can stop
- After exiting a menu, HX Stomp’s TAP LED can occasionally appear to blink erratically
- Clearing a Split block on Path 2 does not automatically remove its bypass assignment
Compatible OS: Mac OS X, Windows 7, Windows 8, Windows 10, Mac OS El Capitan, macOS Sierra, macOS High Sierra, macOS Mojave, macOS Catalina, macOS Big Sur